Castelnuovo Tedesco Caprichos De Goya Pdf
Posted By admin On 20/05/19Castelnuovo Tedesco - 24 caprichos de goya (tutti) CASTELNUOVO-TEDESCO - Platero y Yo_Vol 1 (Ed Berben, Rev Gilardino) (Guitar, Voice - Chitarra, Narratore). Castelnuovo-Tedesco 24 Caprichos De Goya Op.195 scores???? Artists Mario Castelnuovo-Tedesco 24 caprichos de Goya.
Castelnuovo-Tedesco- Bungarten - 24 Caprichos de Goya para Guitarra (1996, MDG 'Gold' # 305 0725-2) [RE-UP]
Mario Castelnuovo-Tedesco - 24 Caprichos de Goya OP. 195
Frank Bungarten, guitar
EAC+LOG+CUE 2xFLAC: 300 MB Full Artwork: 168 MB 5% Recovery Info
Label/Cat#: MDG 'Gold' # 305 0725-2 Country/Year: Germany 1996
Genre: Classical Style: Contemporary, Classical Guitar
MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]
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Castelnuovo-Tedesco- Bungarten - 24 Caprichos de Goya para Guitarra (1996, MDG 'Gold' # 305 0725-2) [RE-UP]
EAC extraction logfile from 28. May 2013, 8:41
Frank Bungarten / Castelnuovo-Tedesco: 24 Caprichos de Goya para Guitarra Op. 195 CD1
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Read offset correction : 667
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Null samples used in CRC calculations : Yes
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Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 28. May 2013, 8:56
Frank Bungarten / Castelnuovo-Tedesco: 24 Caprichos de Goya para Guitarra Op. 195 CD2
Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:Program FilesFLACflac.exe
Additional command line options : -5 -T 'Artist=%artist%' -T 'Title=%title%' -T 'Album=%albumtitle%' -T 'Date=%year%' -T 'Tracknumber=%tracknr%' -T 'Genre=%genre%' %source% -o %dest%
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Peak level 99.4 %
Extraction speed 6.9 X
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Test CRC 18D99E1A
Copy CRC 18D99E1A
Copy OK
No errors occurred
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End of status report
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log date: 2013-10-30 13:47:14
––––––––––––––––––––––––––––––––––––––––
Analyzed: Frank Bungarten / Castelnuovo-Tedesco: 24 Caprichos de Goya para Guitarra Op. 195 CD1
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -2.61 dB -20.49 dB 3:39 01-Francisco Goya y lucientes, pintor
DR14 -1.66 dB -19.92 dB 3:59 02-Tal para qual
DR13 -4.30 dB -21.89 dB 1:57 03-Nadie se conoce
DR12 -7.74 dB -24.49 dB 2:06 04-Ni asi la distingue
DR12 -5.33 dB -23.15 dB 2:30 05-Muchachos al avio
DR18 -0.22 dB -23.45 dB 4:23 06-El amor y la muerte
DR12 -8.66 dB -24.65 dB 1:57 07-Estan calientes
DR14 -2.19 dB -21.51 dB 4:15 08-Dios la perdone: y era su madre
DR14 -6.57 dB -24.17 dB 2:37 09-Bien tirada està
DR13 -7.33 dB -25.29 dB 2:47 10-Al conde Palatino
DR13 -6.68 dB -24.18 dB 2:48 11-Y se le quema la casa
DR15 -4.89 dB -25.29 dB 6:42 12-No hubo remedio
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 12
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 483 kbps
Codec: FLAC
––––––––––––––––––––––––––––––––––––––––
Analyzed: Frank Bungarten / Castelnuovo-Tedesco: 24 Caprichos de Goya para Guitarra Op. 195 CD2
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -7.85 dB -25.12 dB 2:37 01-Quien mas rendido?
DR15 -4.84 dB -25.99 dB 4:19 02-Por que fue sensible
DR15 -0.05 dB -23.11 dB 3:49 03-Si sabrá mas el discipulo?
DR13 -2.81 dB -21.62 dB 2:34 04-Brabisimo!
DR18 -3.75 dB -27.21 dB 4:18 05-De que mal morira?
DR14 -3.28 dB -21.58 dB 5:56 06-El sueno de la razon produce monstruos
DR14 -2.07 dB -22.09 dB 3:09 07-Hilan Delgado
DR13 -5.68 dB -24.70 dB 4:35 08-Obsequio á el Maestro
DR14 -1.68 dB -21.57 dB 2:07 09-Que pico de oro!
DR13 -6.99 dB -23.89 dB 1:46 10-Volaverunt
DR15 -0.42 dB -20.52 dB 2:45 11-Linda maestra
DR15 -5.88 dB -25.28 dB 5:49 12-Sueno de la mentira y inconstancia
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 12
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 482 kbps
Codec: FLAC
CD Info:
Mario Castelnuovo-Tedesco (1895-1968) - 24 Caprichos de Goya OP. 195
Frank Bungarten, guitar
Label: MDG
Series: Gold
Catalog#: 305 0725-2
Format: 2xCD, Album
Country: Germany
Released: 1996
Genre: Classical
Style: Contemporary, Classical Guitar
Tracklist:
CD1:
1 Francisco Goya y lucientes, pintor 3:39
Los Caprichos De Goya Linda Maestra
2 Tal para qual 3:593 Nadie se conoce 1:57
4 Ni asi la distingue 2:06
5 Muchachos al avio 2:30
6 El amor y la muerte 4:23
7 Estan calientes 1:57
8 Dios la perdone: y era su madre 4:15
9 Bien tirada està 2:37
10 Al conde Palatino 2:47
11 Y se le quema la casa 2:48
12 No hubo remedio 6:42
CD2:
1 Quien mas rendido? 2:37
2 Por que fue sensible 4:19
3 Si sabrá mas el discipulo? 3:49
4 Brabisimo! 2:34
5 De que mal morira? 4:18
6 El sueno de la razon produce monstruos 5:56
7 Hilan Delgado 3:09
8 Obsequio á el Maestro 4:35
Castelnuovo Tedesco Caprichos De Goya Pdf
9 Que pico de oro! 2:07
10 Volaverunt 1:46
11 Linda maestra 2:45
12 Sueno de la mentira y inconstancia 5:49
Recording: August, 3-4, 1994 / June, 15-16, 1995, Oranienburg in Schloß Nordkirchen
Castelnuovo-Tedesco- Bungarten - 24 Caprichos de Goya para Guitarra (1996, MDG 'Gold' # 305 0725-2) [RE-UP]
„… vorzüglich aufgenommener Klang exzellenten Gitarrenspiels … Wir haben es hier mit der mustergültigen Aufnahme des umfangreichsten Werkes zu tun, das je für Gitarre geschrieben worden ist.“ (WDR)
„identifiziert sich völlig mit diesen leicht hinskizzierten Genrebildern, spielt klangfarbenverliebt zügig, hat nie technische Probleme und trifft exakt ….“ (FonoForum)
„Die klanglich plastische, interpretatorisch hochkarätige und noch dazu mit einem vorzüglich bebilderten Booklet ausgestattete Einspielung von Castelnuovo-Tedescos Goya-Caprichos … ist ein Muß nicht nur für Gitarrenfreaks, sondern auch für Goya-Anhänger und Liebhaber excellenter Kammermusik.“ (HAZ)
“… these Caprichos are an exhaustive workout for guitar. Frank Bungarten was awarded the first prize in the International Guitar Competition in Granada, Spain, by Segovia himself. His playing is very clean and clear … One must remark, too, upon the quality of the recording.“ (Fanfare)
Castelnuovo-Tedesco- Bungarten - 24 Caprichos de Goya para Guitarra (1996, MDG 'Gold' # 305 0725-2) [RE-UP]
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Castelnuovo-Tedesco- Bungarten - 24 Caprichos de Goya para Guitarra (1996, MDG 'Gold' # 305 0725-2) [RE-UP]
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NITROFLARE
Music Pt. 1 Music Pt. 2
Artwork
________________
Mario Castelnuovo-Tedesco's set of 24 Caprichos of Goya is among the most important large-scale cycles of guitar music of the twentieth century. Castelnuovo-Tedesco had been a significant composer in the history of the instrument since meeting Andrés Segovia in Venice in 1932. Castelnuovo-Tedesco, an Italian-Jew who left his native country in 1939 in response to the Mussolini government's racial laws of that year and settled in the United States, was inspired by the association of the instrument with Spain to write a number of works with Spanish flavor.
Like most of his music since his self-imposed exile from Italy, Castelnuovo-Tedesco's Caprichos de Goya is tonal and melodic. There is a flirtation with twelve-tone technique in the 15th Caprice, but this has evident satiric intentions, which is fitting, because the whole cycle is based on a satirical work of art. Serial stories lady swings. (In this Capricho a tone row is stated in its base form, then in retrograde inversion, but after this by-the-numbers serialism, the music wanders away into the realms of tonality.)
The 24 Caprichos de Goya are representative of a major trend in the later part of his life, which was composing works that explored the relationships between music and other arts. Just the year earlier Castelnuovo-Tedesco had composed another set of 24 pieces for guitar, Platero y Yo (Platero and I), based on the poetry of Spanish writer Juan Ramon Jiménez. It uses a speaker to read the selections from Jiménez' book that pertained to each piece. The composer's purpose was clearly to make the audience aware of the extra-musical impulse behind each number played, for he said in cases where the audience already knew the original poem, the narrator could be omitted.
Following the success of Platero y Yo, Castelnuovo-Tedesco undertook this set of guitar works, again with Andrés Segovia in mind as its soloist. It was intended to be premiered as a recording project, rather than in concert. The entire work takes an hour and a quarter to perform.
The stimulus for the music is a collection of etchings, 80 in all, by the great Spanish painter Francisco Goya y Lucientes. They are monochrome prints, and border on caricature. Their usual subject is the frivolity of social and amorous relationships, with sudden sharp excursions into the tragedies of life. Castelnuovo-Tedesco's music is primarily in dance music forms, even in the etchings that are in darker mood, such as 'Love and Death,' where the embrace of the two is depicted with the feeling of a tango in its rhythms.
The composer organized his settings so as to begin and end with the painter. The opening movement is based on Goya's self-portrait, in which he shows himself as something of a vain dandy, and uses a musical motive based on Goya's name. The final movement depicts the love affair between Goya and the Duchess of Alba. Since this etching features mirror images, this final movement is in the form of a mirror fugue, in which the 'Goya' motive returns.
Parts/Movements
- Francisco Goya y lucientes, pintor
- Tal para qual
- Nadie se conoce
- Ni asi la distingue
- Muchachos al avio
- El amor y la muerte
- Estan calientes
- Dios la perdone: y era su madre
- Bien tirada està
- Al conde Palatino
- Y se le quema la casa
- No hubo remedio
- Quien mas rendido?
- Por que fue sensible
- Si sabrá mas el discipulo?
- Brabisimo!
- De que mal morira?
- El sueño de la razon produce monstruos
- Hilan Delgado
- Obsequio á el Maestro
- Que pico de oro!
- Volaverunt
- Linda maestra
- Sueño de la mentira y inconstancia
Appears On
Year | Title | Label | Catalog # |
---|---|---|---|
2009 | Naxos | 8572252-53 | |
1997 | MDG | 3050725 | |
1994 | Summit Records | 167 | |
Crown | 8006 | ||
Ambitus | 383831 |